Month: July 2017
Yesterday’s New York Times deferentially described the Senator as “being known for his independent streak.” “Feisty” is another word more often associated with Senator McCain. But in 1998 I interviewed him for an article in Southwest Art and I was struck by how gracious, soft-spoken he and Mrs. McCain were and his warm feelings towards his staff. Most striking was sense of equality in the office. Unlike other offices in the U.S. Capitol, his staff were not jammed together in a small space, while the senator or representative had a massive office at the end of the office, with a grand view of the National Mall. Senator McCain’s desk and office were only slightly larger than those of staff and in the middle of the suite, without the grand view.
The two photographs behind the Senator were gifts from his predecessor Barry Goldwater and it is Goldwater’s desk that McCain now uses. To the right of these photographs is one of two Edward S. Curtis images on loan from the Smithsonian Institution.
Finished in 1910 and surviving until 1963, Penn Station was Classical Revival architecture at its most monumental and expressive, designed by the leading Classical Revival firm.
The eagle sculpture from the building survives at a commuter stop on the Long Island Railroad.
A sad commentary on the state of railroads and civic pride in this country 50 years ago.
Built 1910 as tunnel for railroad moving coal between Maryland and Georgetown.
Notice one of the alcoves for someone walking on the tracks to duck into and avoid oncoming train.
The buttresses flanking the round arched opening and the detailed cornice, along with emphatic barrel vault, are appropriately architectonic for the powerful railroad engine and its load.
Late in his career, Mies was commissioned to design the main D.C. public library, named in honor of Martin Luther King, Jr. In contrast to Mies’s better known projects such as the Seagrams Building, a moderately tall skyscraper in New York City, and 860-880 Lake Shore Drive, Chicago, upscale housing towers, the library is only four stories above ground. But all three projects display Mies’s trademark emphasis on a highly visible gridded facade. In Seagrams and MLK Library the facades had a strong vertical emphasis created by steel i-beams welded on to the frame.
Mies, who was awarded the AIA Gold Medal and Royal Gold Medal, among numerous other recognitions as a leading Modernist architect, designed the building from 1965-1966, ground broken July 1968, and the library opened either August or September 1972. (Various sources site different key dates for this building.)
The building very recently closed for renovation (including roof garden and floor plans) and will only reopen in 2020. Washingtonia Collection is at the DC Historical Society’s space at the Carnegie Library.
The architect for the renovation is Martinez and Johnson. The architectural historian is Traceries.
Top photo shows G Street (main facade at left) and 9th Street side. Bottom photo showing I beams detail on 9th Street. photos copyrighted by Bill Lebovich, 2017