Built for a Cincinnati industrialist in 1904 and designed by the prominent NYC society architect Bruce Price and the equally prominent Washington,DC society architect Jules Henri de Sibour, this house is strikingly beautiful with its steep Mansard roof, strong visual contrast between the deep red brick walls and white stone quoins, and compact yet soaring massing.
As architecturally impressive as the exterior is, it is outdone by the interior with its rich wood paneling and the sense of movement from space to space, and grand ballroom.
The building is now the Embassy of Columbia’s ambassador’s residence.
De Sibour designed many grand residences in the Embassy Row neighborhood, including 1785 Mass. Ave.,the former headquarters of the National Trust for Historic Preservation. (photograph by (c) Bill Lebovich,2016)
Sculpture of two businessmen playing chess at John Marshall Place. Several of the surrounding buildings were WPA projects from the late 1930s into the early 1940s. The Newsuem replaced the Old Public Library. But the Municipal Building, the D.C. Recorder of Deeds,both by municipal architect Nathan Wyeth, survive as does the U.S. District Court Building. All the buildings are late, blander versions of stripped classicism of the 1930s.
One of the most popular rows for tourists is also one of the best rows. The power of simple motifs repeated down the row creates a sense of harmony, rhythm, and horizontal and vertical movement. No American architectural style achieved so much with such restraint. In most periods, such as classical revival, Richardsonian Romanesque — all great styles, and the post modernism, architects depend on bold statements to say their design is important architecture.
Chevy Chase Circle with boundary marker,
This is a detail from the 1929/1930 (different sources give different dates for completion) skyscraper in downtown Philadelphia. It has been converted from an office building to a Marriot Hotel. Ritter & Shay were the architects.
The panels beautifully express the boldness, originality,and exuberance of the Art Deco—-at the beginning of the Great Depression.
300 block of Constitution Ave., NW. Graves also did a Catholic School and PA Ave. office building in Washington. The school is more chaotic and therefore more like Grave’s usual design. But this addition is less hectic, more dignified as is appropriate for a federal courthouse between the US Capitol Building and the White House.
Designed by Jules Henri deSibour, one of Washington,DC’s finest architects of the early 20th century, 1785 was home to Andrew Mellon when he was Secretary of Treasury. It is believed he occupied the entire top floor. The British Art Dealer Lord Duveen rented the floor below and displayed his art collection. He invited Mellon to view it and the approach worked. Mellon bought the collection, which became the basis of National Gallery of Art.
The building was the headquarters of the National Trust for Historic Preservation. As the Trust was selling the building, the Trust hired me to photograph the building for the HABS Collection at the Library of Congress. I took more than 200 4 x5 black and white archival processed negatives and an archival print of each negative.
The American Enterprise Institute bought the building, joining Brookings, John Hopkins,and Carnegie Institute as some of the think tanks along this section of Massachusetts Ave., between 17th and 18th Streets.
The first photo (black and white) is from April 2014. The second photo is from November 2016.
35mm,digital, and 4 x 5 film
Embassy Row, November 12,2016 early afternoon.
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